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In 2009 the readers of Rolling Stone ranked “Boulevard of Broken Dreams” the ‘Single of the Decade’ as far as the aughts were concerned. This song is also responsible for the only time Green Day had managed to win a Record of the Year Grammy Award during their heyday. It did appear on seven other Billboard lists though, topping six of them. And the tune also topped the UK Rock and Metal Chart and music charts in the Czech Republic and Canada. And in total it charted in about 20 nations, achieving platinum status in Australia and Canada. Green Day, a band that originated in California, has been around since 1987. And as of the writing of this post in 2021, “Boulevard of Broken Dreams”, which peaked at number 2, marks the highest they ever reached on Billboard Hot 100. However, Armstrong apparently thought that it was.

In other words, someone took Helnwein’s James Dean solo painting and slapped “Boulevard of Broken Dreams” on top, even though that isn’t it’s actual title. But the mislabeled one that Armstrong got the name from featured Dean alone and was apparently a replica of an old photo of the actor dating back to 1948.

The Helnwein painting that is officially entitled “Boulevard of Broken Dreams” depicts James Dean (1931-1955) alongside Humphrey Bogart (1899-1957), Marilyn Monroe (1926-1962) and Elvis Presley (1935-1977) and was painted in 1984. The title of this song was indirectly inspired by a famous painting of the same name by an European artist named Gottfried Helnwein. And the reason we say indirectly is because Billie Joe Armstrong did get the title from a Helnwein painting alright. However, it was one that was mislabeled “Boulevard of Broken Dreams”. The primary writer of this song is recognized as Billie Joe Armstrong, who is the lead singer of Green Day. And his bandmates Mike Dirnt and Tré Cool also contributed to its composition.Īdditionally the three of them produced the track, though as a unit under the Green Day moniker. And in that regard they worked alongside regular collaborator Rob Cavallo. That is also the same day upon which “Boulevard of Broken Dreams” was issued as the second single from the project. This track is from Green Day’s highly celebrated concept album American Idiot (2004). This was a Reprise Records release that came out on the date of 29 November 2004. Such suburb-to-urban drifts almost inevitably means that the person involved is in search of a more-edifying life in some way, shape or form, which is in fact the case with Jesus of Suburbia. But the reality of the move has not lived up to the fantasy. And instead, what he has come to meet is a marked loneliness which is indicative of the overall ideological failure of the movement.Īnd whereas, keeping the whole American Idiot project in mind, this may be a metaphor speaking to the concept of the United States not being what it used to be, microcosmically and relatedly it is also reflective of what some people have literally gone through as individuals. So in breaking all of the above down, what we have here is a narrator who has just moved to a new environment – from the suburbs to the big city to be exact. Or stated otherwise, said loneliness would be at least partially attributable to a personality flaw on his behalf. And perhaps we can go out on a limb by asserting that said flaw, based on the chorus for instance, is akin to timidness, particularly as far as socializing is concerned. And such a characteristic can in fact develop in someone who finds themselves in a completely alien environment as has the subject of this song, the fictional Jesus of Suburbia. Or put differently, with that in mind we can presume that the narrator has chosen his own path which resulted in him “walk(ing) alone”. And said journey would be the result of him trying to escape from something, which we can most generally classify as an unsatisfactory life, in pursuit of his “dreams”.īut along the way, on top of them being “broken”, as in not coming to pass in a manner which actually depresses him, he also finds himself suffering from a harrowing loneliness. And it is that latter aspect which alludes to this character, in the words of Armstrong, “fighting (his) own inner demons”.

But its primary author, Billie Joe Armstrong, penned it at a time when he was “feeling alone” and about in New York City. And he decided to include it on American Idiot, a Green Day concept album, because he felt it conforms to the project’s overall themes of escapism and inner conflict.
